Books & Pamphlets
Awards
Exhibitions
Airings
Talks

Workshops
& Teaching
Curator,
Producer,
Editor
FER BOYD
Winner of the 2018 Prix International for Critical Thinking in Contemporary Art for 'Skinned' and 'Detouched'
awarded by the Foundation Prince Pierre de Monaco, nominated by Fatoş Üstek



< 'Frot the World' [Canal, 2022]
< 'Skinned' and 'Detouched', by Alice Channer with text by Fer Boyd [Motto Books & Eastside Projects, 2018]
< 'A Theory for the Strange-Girl: Raw Red Text' [COUNTRY MUSIC, 2017]


< 'A Secret? How Old-Fashioned!', Sticky Fingers’ FDBNHLLLTTFPARODY edited by Evelyn Wh-ell [2022]
< 'Organs in Amber', Stages [2021]
< 'A Slingshot and an Eye', SAMARA EDITIONS [2021]
< 'extract the mineral like an organ, transplant it' in collaboration with Paula Turmina for 'displaced land' [2021]
< 'Aggregation' in collaboration with Rachel Pimm, published by Whitechapel Gallery, London [2020]
< 'X', Lay It On Thick (LIOT) edited by Natascha Nanji and Palin Ansusinha [2020]
< 'HELLBOX', C_anal [2019]
< 'Ocular Offal, Chromatic Cannibals', Extra Extra [2019]
< 'The Original Recycler' published by Tornabuoni Art, London as part of 'The Unbearable Lightness of Being' curated by Fatoş Üstek [2019]
< 'NIGHTBOX' published as part of 'Chrome Villa' by Francesca Blomfield and Col Self, ANDOR, London [2018]
< 'Chewing on Potential in Heat and Shade' with Amy Lay-Pettifer, Orlando [2018]
< 'LIVE! But Dirtier' with Katharina Joy Book and Palin Ansusinha, Critical Interruptions [2018]
< 'A Tactile Dialect of Strong and Soft and Spiked', Afterall [2017]
< 'Primary Pleasures', SALT [2016]; republished on Opening Times: Digital Art Commissions [2017]
< 'A Taxonomy of Explosions: Preliminary Shrapnel', After Us [2016]
< 'I Feel Queezy: Feelings, Guts, Revolutions', published by Estonian Centre for Contemporary Art as part of 'Feeling Queezy?!' curated by Rebeka Põldsam [2014]



< 'guard the delight' as part of 'Chaos Rehearsals', SLUG, Leipzig [19 August - 10 September 2022]
< 'FIRST BIRTH', Liverpool Biennial 2021: The Stomach and the Port [19 March - 30 September 2021], Lewis’s Building & online
< 'DEATH DRIVE', Outer Space, Australia [24 January - 9 February 2020]. Exhibition and events programme created in collaboration with Madeleine Stack,
Rebekah Kosonen Bide and Mariana Portela Echeverri. Supported by Australia Council for the Arts, Arts Queensland, and Outer Space.
< 'DETOUCH', as part of 'Man-made' [18 January - 9 March 2019], Konrad Fischer Galerie, Düsseldorf, Germany
< 'But With What Protein?', ilyd.nu [1 - 30 June 2018]
< 'ULTIMATE FANTASIES', Guest Projects, London [1 - 29 June 2018]. Exhibition and events programme created with Ruta Dumciute, and collaborators
Leyla Pillai, Madeleine Stack, Eunjung Kim, PO$$€ dance and reading. Awarded a Guest Projects residency and supported by Lithuanian Council of Culture.



< Canal Book Tour: The Horse Hospital, London, Blunt Knife Co., Edinburgh, and Good Press, Glasgow [2022]
< 'god’s gloryhole' a play with Madeleine Stack, SLUG, Leipzig [27 August 2022]
< Canal, Me Siento Extraña, Candy, Barcelona [4 July 2021]
< 'The Original Recycler', Tornabuoni Art, London [27 June 2019]
< 'Skinned' on skates with Alice Channer, 'This is the Gallery and the Gallery is Many Things', Eastside Projects, Birmingham [2 November 2018]
< 'Analbox' durational reading at the launch of C_anal magazine, Baroque Vegetation, London [5 October 2018]
< 'Detouched' durational reading in post-rave suspension with Alice Channer, ‘The Shape Left By The Body’, The Sunday Painter, London [7 July 2018]
< 'Ultimate Essay' with Leyla Pillai and Ruta Dumciute, Guest Projects. Part of 'ULTIMATE FANTASIES' [24 June 2018]
< Bait Room with Ruta Dumciute, in collusion with a performance by Eunjung Kim, Guest Projects. Part of 'ULTIMATE FANTASIES' [17 June 2018]
< 'A Shipping Forecast By Heart', Live Art Development Agency, London [9 May 2018]
< H o r i z o n t a l PPE-clad readings with Alice Channer, 'Skinned' and 'Detouched' launch, Large Glass, London [26 April 2018]
< Waterproof edition 'A Theory for the Strange-Girl: Raw Red Text - Manuscript for Swimmers' [2018] designed by Anna Sagström for a performance of the text
by P0$$€ dance and reading group, Vårberg public pool, Stockholm, Sweden. Organised by Tamara Alegre, part of ENDFEST: €L€M€NT$ [17 February 2018]
< 'Selectionbox' reading at the launch of 'When I Was Alive' by Hannah Regel, South London Gallery, London [13 December 2017]
< 'A Body is a Double-Edged Sword' performance at Even Salon: Either/Or, Apiary Studios, London [20 April 2016]


< 'Blueflame Backwater', No Bounds Radio [December 2022]
< 'WORMS ON THE BEACH', Montez Press Radio, London & New York [26 May 2020]
< 'DETOUCH' in 'Our Fuming Lips Make A New Mirage', SHELL LIKE remote communal listening event [17 & 18 April 2020]
< 'RAW RED REDUX' audio interpretation of 'A Theory of the Strange-Girl' by Yantan Ministry with voice by Fer Boyd [COUNTRY MUSIC, released 4 October 2019]
< 'HELLBOX', C_anal issue 2 launch party, Baroque Vegetation, London [3 December 2019]
< 'HELLBOX', Montez Press Radio and Cell Project Space, London. Hosted by SALT. magazine [25 August 2019]
< 'DETOUCH' in 'Her Voice' curated by Eleni Ikoniadou, ICA, London [11 April 2019]
< 'DETOUCH' in 'Our Fuming Lips Make A New Mirage', SHELL LIKE listening event at Eastside Projects, Birmingham, England [22 November 2018]
< 'But With What Protein?', Orlando 03: Beyond the Body launch, The Horse Hospital, London [14 November 2018]
< 'But With What Protein?' in 'High On Time The Voice Box Heaved', SHELL LIKE listening event at Artsadmin, London [6 March 2018]
< 'A Theory for the Strange-Girl' distributed and spat out as high-tempo video at COUNTRY MUSIC: Blood-Filled Spit on an Ore-Rich Ground, Monarch, Berlin [17 August 2017]
< 'Viral Content' in 'Dark Matter Gushes From the Mouth Into The Open Air', SHELL LIKE listening event at Guest Projects, London [19 April 2017]
< 'Viral Content' created for and aired at Mark Fisher’s listening event on the eerie, Goldmsiths College, London [10 December 2013]


< 'Canal Presents... Chaos Rehearsals, Réplica & Frot the World', Montez Press Radio [24 November 2022]
< Liverpool Biennial x a-n Artist Talk with Alice Channer & SHELL LIKE [27 April 2021]
< 'Siesta Sound Session: Strange Nature' artist talk with Madeleine Stack, Royal Collage of Art, London [5 December 2019]
< Panel discussion on the philosophical, political and aesthetic challenges of female-sounding voices as part of 'Her Voice', ICA, London [11 April 2019]
< In conversation with Francesca Blomfield, Jerwood Space, London [13 June 2016]
< 'I Feel Queezy: Fer Boyd on Queeziness and Art Writing' at EKKM Theory Club, Contemporary Art Museum of Estonia, Tallinn [3 September 2014]
< In conversation with Gazelle Twin and Mark Fisher, Goldsmiths College, London [10 December 2013]



< 'Time, Temporality and Timing: reproduction and poetry through the lens of Sappho (1974-1981)', Women’s Art Library, Glasgow [13 December 2022]
< 'Tongues! A Riot! A Mayhem! A Rampage! An Ecstasy!', Eastside Projects, Birmingham [30 November 2022]
< Doctoral Experimental Writing Intensive Course, Department of Art, Aalto University [2 - 6 February 2021]
< Doctoral Creative Writing Workshop, Department of Art, Aalto University, Helsinki, Finland [31 August - 5 September 2020]
< Workshop on writing and sculpture in collaboration with Rachel Pimm, for YSI Sculpture Network 2020 [12 August 2020]
< Experimental writing workshop at Open Doors LGBTIQAP+ Sistergirl & Brotherboy Youth Service, Brisbane, Australia. Part of 'DEATH DRIVE' [14 February 2020]
< Workshop on writing in times of crisis, Outer Space, Brisbane, Australia. Part of 'DEATH DRIVE' [2 February 2020]
< 'Open the Source' experimental writing workbook published online by Yorkshire Sculpture International and Corridor8 [2019]
< Mentor for Corridor8 writing residency [May - July 2019]
< Workshop on writing as a form of sculpture, The University of Leeds, England. Part of Yorkshire Sculpture International [6 March 2019]
< Write Club workshop on 'streaming' and 'channelling' as body methods for writing combining technological and mystical approaches, Eastside Projects, Birmingham, England
[22 November 2018]



< Translator for the Spanish version of 'SUICIDE NOTES' by Penny Goring, for C_anal issue 3 [2022]
< Co-editor of C_anal magazine issue 3 with Madeleine Stack [2022]
< Producer for 'Portable Monument' [2019] by Madeleine Stack ft. Mikatsiu, commissioned by the BBC and ICA, London. Released on BBC Sounds [2020]
< SHELL LIKE with Amy Lay-Pettifer, encompassing deep listening events, new commissions in sound, exhibitions, collaborative writing & sound works [2017-present]

Writing
Plays,
Performances & Readings